#TGAAC spoilers

[prommytheus]

me: im not a asoryu divorce truther, but i AM an asoryu taking a break & eventual unlabeled-long-distance-situation truther. they ABSOLUTELY needed to go on different paths at the end of the game. i totally get people who rewrite them to go back home together after 2-5, but it misses the point IMO. their split is a bittersweet thing & a testament to their devotion to each other as people and friends more than it’s a toxic split and a tragedy. it’s not ryuunosuke leaving in bitter anger at kazuma’s deceit, or kazuma being idiotically self punishing. rather, it’s them mutually saying “We need to exist outside of each other for a while for our own development as people. But i would never leave you in anger. You will always be enough for me, but you also need to learn to be enough for yourself. And ultimately we will meet again at the crossroads. When we need each other the most, and we are finally ready, and we will walk our paths side by side. Unbroken, and never having been broken. And that bond is stronger than both of our deceit, violence, shyness, and ignorance combined.”

their physical split is a show of their assurance that they could never spiritually ‘fall off’ from each other. no matter what happens, they stand together in a cosmic sense. they need to be apart so that kazuma can find a self that will live past 24, and so ryuunosuke can develop the self he found in his own journey— the self that sees its value at all. basically, ryuunosuke is leaving for himself to prove that he has a self, and kazuma is staying for himself so he can learn to care about himself enough to put his struggle in the hands of the people offering to him— so he can learn to stop running. do you get me?

you, tied to a chair and actively being waterboarded: BLBLBLBLBLLBLUBUBU—

[shinjisdone]

Having Barok van Zieks be fond of you means...

[okay, so I bought TGAAC and TGAAC2 like, late spring and finished it in September and the WAY that this totally mentally okay gentleman has been living in my mind and popping in again and again like - HE IS BECOMING A PART OF MY FRONTAL LOBE, HE KEEPS COMING IN AND TAKING OVER MY MIND

so before the end of the year comes, have my brainrot because character ai is not enough anymore - GO PLAY TGAAC]

SPOILERS FOR TGAAC AND TGAAC 2 - brainrot in no order whatsoever

...having a cold Reaper be near - unwantingly so. Whether it is through glimpses of him in the streets of London, to be on the witnesses' stand in court or to work with him in the Prosecutor's office. The man is like a cold spot in a room but ever so...harmless. He means to come off as harmless, not neccesarily friendly but he wants to let you know that he doesn't...dislike you. There is no need to fear, the Reaper of the Bailey is not out to get you. He himself does not have any control over this curse...yet still, he keeps his distance in a way. Not rejecting you but keeping conversations brief and productive. Greetings ever so gentlemanly but never that of a friend. Barok fears what might happen if gets too close...

...he still wishes for your companionship, however. It's hard to stay away but he knows he must. There is a bit of relief if you are not someone who will or has been prosecuted by him but its not enough to suppress his fears. If he does get too close...you might die. Be affected by his curse and begone from this earth. He cannot let that happen. Barok only hopes you will not misunderstand his distance as hatred. It's far from it.

...if he, however, came to the truth of the Reaper, of his part of the decade-long play, he feels so much more at ease knowing he does not need to keep you at bay. It also helps if you have known each other for years and nothing has happened...as of yet. It means you are safe and while that is his first priority, he does indulge in the thought of being...closer to you. Barok van Zieks finally finding a connection with another...its sounds like a dream.

...you do get the priviledge of his protection as a highly respected (and feared) prosecutor. Any colleagues having a problem with you or you not getting something that rightfully belongs to you, he can have a quick talk to this other lawyer, secretary or inspector from Scotland Yard to respect the law, justice AND you and finally do the courtesy of their job. All it needs are some stern words and they bend over backwards for him. Barok will then inform you that all is handled - no need to question of how he did it or if it was hard (certainly it wasn't) simply take what you earned.

...not only getting protected by other lawyers but also from the common, everyday folk. Barok is scary - if it isn't for his power, then it is because he is a noble. And if it isn't that, then it is because of his reputation as the Reaper of the Bailey. And if it isn't that, then it is just for the scary look in his eyes. He knows he makes people tremble so all you need to do is call him over and he will be there, striding forward in his usual gait and looking down on whoever decided to mess with you. He will be especially aggrivated if some bafoon troubled a lady. Does this fool not have any class?

...Barok is also generally very protective. He has lost many, his entire family and if you are now so close to his heart...then well, he does get overprotective. Insisting on accompanying you everywhere, bringing his sword with him (and not forgetting his revolver again!), getting you a carriage and paying a very generous sum in order to have you be brought straight home without anyone else enter the cabin. Who knows who might enter and be in a closed off space with you when London has so many criminals? No, he won't let that happen. Barok will not lose you too and is adamant on keeping you safe as long as he gets a say in it.

...he does play the part of a gentleman very well - so well that it is hard to see his antics as 'overprotective'. He offers his arm to you when out in town, walks on the outer side of a sidewalk or staircase to keep you safe and balanced, gets between you and a stranger, helps you off a carriage, shelters you with his very expensive umbrella while getting a part of himself wet and so much more. Barok is a noble so all of this is second-nature but he also wishes to not be anything less to you. You are...precious and therefore deserve to be treated with respect and be spoiled. So its also natural for him to bow with every greeting and farewell you share, to lend you his coat in cool winters, to open and hold doors, shield you in the rain even as he gets wet to the bones. He also does not mind kissing a lady's hand though it does fluster him ever so slightly.

...he shares things with you. Trivial information about him are scarce in the beginning but as time goes on, he is fine on answering any question you have about him. He even tells you more and no longer gives short, stoic answers! It's not that he is shy...he hesitates. Having someone close is dangerous and even as the truth is revealed and he feels safer to have someone be close, Barok is not used to have someone like that. He especially hesitates about telling stories of his childhood. His family consisted only of his brother, after all.

...he shares his treasures - and by that I mean his wine. Since this act is so unusual for him to do, the great and terrifying Reaper sharing a droplet of his hallowed chalice's blood wine, it is the ULTIMATE sign that he is at least, quite, quite, quiiiiiite fond of you. He'd casually ask you one day if you'd like a glass as well as he is pouring one himself. The taste is divine and too superiour for your common folk taste buds. Additionally, he shares everyday consumption items (tea, pastries, biscuits, etc.) with you no problem. All of them are of the highest quality and it is baffling every time you taste them. In what fortune is this guy swimming in to afford such good food?! You're eating like royalty here and this is daily bread for him?! However, Barok admits that seeing you so flabbergasted at the sight and smells of his every day items is more than amusing. He hides a smirk, lets chuckles escape here and there and might tease you for a bit. Never maliciously of course. It's just...fun to see you so flustered.

...Barok has no problem to spare small fortunes for you. No matter if it is for accomadations, needs or even gifts. If you need a ride home, he will pay for a carriage. Haven't eaten yet? Do join him for lunch. He likes that one fancy restaurant and their steaks quite a bit. He sees you with a bent umbrella and a few holes on it? What on earth - hold on, just wait here. Allow him to share his umbrella with you as you go straight to a shop to get you a better, bigger and newer one. You can't be walking like this in London and its often moody weather. He will never ask for repayment but if you do insist, he is fine with getting payback through other transactional means. (No, not like that) Want to express your gratitude for the umbrella? Finish a report for him if you please. You admit you can't cover the cost for a fancy meal? Just eat each crumb off your plate and he is happy. The carriage rides' prices has increased and getting on is a luxury for you now? Ridicilous, just make sure to go straight home and not to dilly-dally. He paid for you to get home safe, after all.

...he enjoys getting you gifts - but rather subtle ones. Useful tools are his go-to. Any other fancy and sentimental item could be...obvious for his affections of you. He is a cold man with a colder reputation but equally shy. He would not know what to do with the stares and questions from all around him if they saw the Reaper handing out flowers or chocolate or jewelry to the one person he cares for...quite a bit. So, any tool that you need and might come in handy are something he keeps in mind. Barok is a good listener and keeps little info dumps from you in the back of his mind. A high-quality pen with ink that dries quickly - you won't get any smudges this way anymore. Or how about gloves that actually keep you warm in winter? Yes, it may be tailored specifically for you and the material is pricey but still, do not pay it any mind. It gets tricky and risky if the gifts go into the direction of coats or shoes, items for your hobby and such. It means he cares, cares very deeply for your well-being to be safe and healthy and warm in this foggy town and he cares deeply about your happiness that he just gets you something to add to your joy. Anyone else will immediately raise a brow at this suspicious behaviour and Barok is in no mood to deal with any of it.

...he ends up slipping and calling you by a pet name. Never, ever has the Reaper of the Bailey ever made such a grave mistake. It just slipped off his lips, rolled down his tongue and he noticed only too late. He tries to play it off, be cool, collected and calm as always but he will end up thinking about well into the night. It's such hard proof for his fondess of you that it could be used in court, used against him. There's no denying anymore and if you do question him, ask him what he means - he cannot deny it. Barok cannot lie to you. You, who has...wormed your way into his dead heart someway, somehow and he cannot even be mad at it, as vexing as it is. Of course, he cannot ever tell the truth but will ask if it bothers you. If yes, he will return to using your usual name with the slightest hint of disappointment. If not, then he will be caught off guard and reaffirm, again just to be sure, if he then keep calling you that. It's...oddly relieving that he can...indulge in his affections for you even by simply calling something different. Something that fits the person he sees with his own eyes.

...the pet names do not vary though. In the beginning he was polite but distant by using your last name with the usual formalities. After considering you a good friend does he use your first name. But Barok is old-fashioned and has never had anyone else be so close to him again since ten years, so he sticks to the things that come naturally to him, the first thing that comes to his mind. 'My dear', or just 'dear', come to mind and are the safest and most direct way for him to put his feelings into words. The most he'd go (and that is a dangerous territory!) is 'my dearest' - its symbolizing you as the closest person he has and that is...heart-racing as well as nerve-wrecking. He cannot do that, let alone go so far as calling you 'love'. Many use it the term affectionally but platonically, but it is still too damn close for him. Too powerful of a word for his heart to handle. Either simple terms or calling you by your name.

...Barok shows his affections through stiff actions. The most he'd go with his words are his terms of endearment and maybe reaffirming how important your bond is to him, but that is it. Gentlemanly actions are expected of him as one of noble blood, so he does not link them to his affection for you. Neither does he hold your hand when you do not need to be guided or embrace you simply because he wants to. It's inproper and why would he do such a thing anyway? Him, Barok van Zieks, being so...soft? But if you introduce him to it, then, well, he has no choice but to accept them, no? If you ask him to hold your hand because you are in need of support or to feel less alone, then he will hesitate - his gaze drifts elsewhere briefly - before he ever so gently takes it. Barok holds it without much force, will not squeeze it but will do as asked of him. The last thing he wants is for you to believe he wouldn't go miles and miles of hell for you but all these actions are slightly unfamiliar and more uncertain for him. The closeness is flustering but he is more so worried he might do something wrong.

...his hugs are tender and unsure, his eyes avoid you, and he holds his breath. If you wish to be held, he will do so. If you want a shoulder to cry on, he will always be there. Any troubles you might have, he will listen and find solutions. But he is ever so uncertain if he can...make you feel safe. Protected, happy, cared for, loved. These worries are the first things he thinks about and the closeness and what it could mean, second. But with the way you might feel, the warmth emitting from you, your scent, the way you look at him, the way you smile, the way you say his name, it might break him. It all feels so loving and warm and wonderful and he does not know what to do. Is he allowed to bask in this? In you? May he go so far and just...accept all of this, no matter how scary it is? Everything of it he enjoys and it comforts him but it is all so terrifying and the last thing he ever wants, the last thing he could ever wish for, is for everything to go wrong and for him to lose you, too. Will it happen if he just lets himself be as fond of you as he wants?

[clownowo]

happy pride

Diversity win! This serial killer is an ally!

[wyrtig]

dogbane

[gabester-sketch]

Prosecutors

[planehabitat]

it was all for law and order

[5231045]

save me white girl

[endigolikesarson]

Part 1 | Part 2 | Part 3 (You are here)

[daipeanutsaiban]

some family headcanons (in order: van zieks, baskerville, asogi, holmes) not everyone has names yet 🫣💦

i wrote more details under the cut ⬇️ this info can also be viewed under the "tgaa oc guide" in my carrd (linked in my profile).

Holmes

Mycroft: he’s 7 years older than his brother in the ACD canon, but I wanted him to be around the same age as Klint and Lady Baskerville. He and Sherlock are 7 and 15 respectively here. I wanted his hair to be dark and over his eyes so it’d match his cynical attitude that things are about to go bad at any time. Also, it’s a nice contrast to Sherlock’s lightly toasted color, so you could say he got “burnt”. Mycroft usually wears gloves, both because he dislikes touching things directly and because he has a tendency to be dishonest (a classic character design trope - though it’s probably less obvious in a game where almost every character of the upper social classes will wear gloves due to the setting). Mycroft predominantly wears green (next to yellow on the color wheel). Despite his avoidant and anxious behaviours, he has a sharp tongue, and rarely addresses people by their proper title. For someone who wants to avoid trouble, he doesn’t try really hard to fit in due to being a contrarian in that aspect... he’s a genius, but he’s an idiot too (lol).

Sherlock: The most important thing is that he’s recognizable without being dressed identically to his adult self, because he hasn’t come into his own yet (and it would just make no sense). He’s wearing rather nice clothes since the Holmes family belongs to the gentry class, but my friend suggested that his clothes would be dirty often since he’s crawling around trying to “solve cases” all the time, and I really love that idea. His mother is probably despairing about it. Sherlock takes himself very seriously at this age, but of course he says ridiculous things all the time.

Father (unnamed): I wanted the brothers to have a point of reference or inspiration for their creativity with inventions and general resourcefulness, so he’s a toymaker who specializes in automata. Mycroft learned from him for some time until he eventually surpassed him due to his inherent genius, but Sherlock lost interest quickly despite also showing talent. Their father is a friendly man whose work usually keeps busy, and he’s on good terms with his wife. I’m undecided on whether the toy shop should be connected to their house or not.

Mother (unnamed): I really wanted her to look like her youngest son without being an exact replica of him, with a simple and uncomplicated design. She’s a housewife with no other occupation officially, but she’s adept at sewing and often takes on requests from friends and neighbours. She also makes clothes for her husband’s creations, as well as for her children. Will dress up Mycroft and Sherlock in dresses on occasion, sometimes to get back at them for causing trouble and sometimes just to try out designs. Sherlock doesn’t mind it, and neither does Mycroft though he’s annoyed at the “punishment” since it’s usually his brother who ropes him into trouble. Their mother is constantly fatigued by their antics, so I feel a little bad for her (their father is more easygoing, so he doesn’t get as stressed out by their sons). Her relationship with her oldest son was complicated for some time due to his tendency to withdraw from the world, but her youngest helped her understand that his brother does love her in his own ways.

Van Zieks

I tried my best to incorporate angel motifs in their design to reflect Barok’s “fallen angel” motif later in life, hence why his and Klint’s father has white hair for example. The feather lace on their mother’s sleeves was a last minute addition; I think I’ll revisit their designs again soon. Klint wears his hair the same as he does as an adult to keep him recognizable, but I think it’d be funny if when he was very young it was parted on the side and he hated it or something.

Claes: Their father’s name. It’s Dutch and pronounced “Klaus”, but I keep pronouncing it wrong (a little bit on purpose because I like the sound of it spelled out). He has a constant poker face, but he’s actually the most affectionate parent in this entire lineup..! He’s meant to be smiling in the drawing, but a stranger wouldn’t be able to tell. I love characters whose personality subverts our expectations we’d usually have based on their appearance, so he looks and acts very seriously but would rather spend time at home with his family and hates going to work (lol). Also fond of cute, small, and typically “feminine” things, but he keeps that part of him a secret since it’d be frowned upon for a man in this era, especially within the upper class which is all about appearance (his wife is aware of it, though). Maybe that’s why he dotes on his kids so much? He’s very corny as well and has plenty of nicknames for his wife and children, which Klint hated at this age. I also wanted Claes to be the same height as Stronghart, with an imposing build and expression, so that the next authority figure in the brothers’ lives following his death would “fill” the gap he left. But that didn’t end so well, did it...

Evana: Their mother’s name. Similarly to Claes, her personality is meant to subvert her elegant appearance. She’s a complete airhead and once got lost in her own house. Evana is nonetheless stricter than her husband towards her children and puts a lot of emphasis on what is or isn’t proper. She’s in tune with trends and gossip as is expected of a lady in her position, and might come across as superficial to some, but she is very loving. When young Lady Baskerville would visit, she and her future mother-in-law would get along tremendously well (to Klint’s annoyance as he also wanted to spend time with his fiancee but couldn’t relate to most of their conversations). Evana had the most religious faith among the van Zieks, and would encourage virtue, integrity, and nobility of character above all else in her children.

Barok and Klint: Two well-behaved, beloved children. Barok is of course the little darling after all; I think Klint was probably the more rebellious one but became very serious after their parents’ death with all the responsibilities now on his shoulders. That was probably a very lonely period for Barok, until his brother cheered up again.

Baskerville

Primrose (Lady Baskerville): In flower language, her name means “I can’t live without you”. I didn't know this at the time I named her, but it fits the story very well, so thank you to my friend who taught me this! Primrose’s outlook is very unconventional for the era and especially at her young age, but she’s grown disillusioned with her lot in life as well as men following her mother’s death. I wanted her to be the only one in the family to be a redhead to reflect how she’s not fitting the mould with her assertive and brash personality, and how she feels "out of place". Her father dresses her in very impractical, often white dresses to assert his control over her as a form of “love”; to thwart her tendency to sneak out of the house without permission and participate in unladylike activities.

Her and Klint become codependent on each other following his own parents’ passing and promise to marry each other even though Lord Baskerville is set on finding his daughter a suitor with a more stable future.

The woman is her stepmother, and the others are her father and her half-brother. Since I’m working on a project involving all of them, I don’t want to reveal too much about them yet. All I can say is that it’s not a happy home, and no one in particularly close to each other (except the twins, maybe)...

Asogi

Genshin: I imagined he used to be short and got his growth spurt late (shown at around 12 years old here). Genshin looks a lot like Kazuma due to his eyes and nose, but thankfully he has a distinctive hairstyle already. I'd like to think he grows out his hair at around fifteen. The scarf's pattern is meant to evoke snake scales! Sorry for how lazily I drew Karuma here, haha. As for his personality, he has a poker face but I like to think he can be quite mischievous, though not towards his immediate family as the repercussions would be non-negligible. His brother in law, Hiroki, however, is the perfect person to prank since he's both kind and naive. I also imagine it's tradition for every (male) Asogi to dedicate their life to training, though he’d have a bamboo sword instead of Karuma at this age, probably... I wonder how Genshin discovered the hilt trick? If he was a kid or teenager, maybe he hid snacks inside (lol).

Miwa: Genshin’s older sister. She wears men’s clothes most of the time. Being their father’s legitimate child, she was going to inherit the clan despite being a woman until Genshin showed up. With Genshin having the “luck” to resemble his father, as well as being male, their father decided to make him the heir instead. Miwa resents Genshin for taking this chance from her, despite knowing deep down that he is not personally at fault. Still, she is outwardly bitter and dismissive of him, and spites his efforts to become closer to his sister. Miwa is both vain and arrogant while also following a rigid moral code. She distrusts men, most likely due to her father’s treatment, but she also respects her father greatly as a warrior. Miwa displays surprising gentleness towards children and women, namely Genshin’s girlfriend and later wife Yukari. Her abrasive personality mellows out when she becomes a mother herself, but she was unable to repair her relationship with her brother before his death. Since that’s very sad, in modern AUs I like to depict them on better terms.

Hiroki: Miwa’s husband through arranged marriage. Hails from a family of performers; his specialty is traditional dance but he’s skilled in rakugo as well. I wanted a character with a sensitive side, who is in touch with his emotions, to contrast the serious and tense atmosphere of the Asogi clan. Thanks to that side of him, Hiroki gets along well with Yukari who has a similar easygoing and “refreshing” personality. However, Hiroki’s sensitivity creates problems since Miwa is confused by a man exhibiting such behaviours (he’s the type to be moved by beautiful scenery and cry over small animals). Hiroki believes everyone can do good and that most people act from goodness, but for this reason he’s easily tricked- namely by Genshin. Despite amusing himself at his expense (since Genshin is quite clever), Genshin enjoys Hiroki’s company since he’s a very mellow person and doesn’t bring up dreadful topics like inheritance and power and such. Hiroki is surprisingly well-built under his clothes, and his weapon of choice is a naginata. I guess Syoma wanted his son-in-law to be strong..?

Syoma: The central figure in the Asogi household. Still alive during the events of TGAA. A very serious man who accords a lot of importance to honor and tradition to the point it’s stifling. Distant from his children, though Miwa claims Genshin is the favorite. The kind of father to make his children compete to “make them grow”, even though one of them is almost an adult and the other is barely a teenager. Although Genshin was conceived after his late wife’s passing, Syoma sees Genshin as a reminder of his dishonourable actions (mainly due to Genshin’s mother being a prostitute), and thus avoids him despite placing the onus of inheritance upon him. All of that results in a house Genshin doesn’t want to stay in- and contributes to his reasons to go study abroad. In his own twisted way, Syoma loves his children, but he was never meant to be a father, or at least does not know how to parent without a wife’s help (tradition and patriarchy is very much a theme for the whole clan lol). I honestly struggle to write him because the things he says can be very hurtful, especially towards his daughter-in-law. His character is a lot more comedic/nicer in modern AU (think pseudo yakuza with mother hen personality), but so is everyone’s. (it’s very sitcom-like, haha)

Thanks for reading if you made it this far!! This post could be even longer but I decided to spare everyone💗 have a bonus papazieks and children doodle for your time👼💗

[atroquinine-my-love]

Trick or Treat :D

A trick! From an unknowing little mouse

[sleepyteapartybackup]

the kazuma situation is so funny. kazuma (doesn't know he's kazuma) goes to england because ??? (he doesn't remember) and immediately gets arrested. stronghart is visiting to make sure his police are properly corrupt and he's like "is that my fucking assassin??" kazuma says "hi. I know law. please don't arrest me." and stronghart goes "hm. hello suspicious foreign man. do you want a job? the requirements are that you shut up forever and wear this cunty outfit" and so he gets paired with notably racist (against specifically japanese people) prosecutor van zieks who says "the first lesson of how to be a prosecutor is Swordfighting"

[tofuproductionz]

BVZ Week 2024

Day 2: Birthday

From the Japan-only DLC case in DGS2 where he gets pranked drinks tea instead of wine on his birthday

[clownowo]

congrats to yujin mikotoba for abandoning not one but TWO babies at birth

[wyrtig]

[gabester-sketch]

Commission for @sevarix-blogs!!

Whoever gave Kazuma that cut is going to face retribution 🫡

[sneakywingeddude]

Here you go! More TGAA text posts just what y’all ordered right?